费弗森将军因儿子哈瑞，幼年只喜好诗词，怕有辱家族声誉，托好友苏顿大夫照应ccc　　将军死后，哈瑞要求解除军职，因英埃联军将对苏丹用兵，被同伴视为懦夫，寄白羽毛羞辱他，但英军对苏丹用兵并不顺利，哈瑞赴埃及要求医生改容为当地土著，潜入前线，起原军团被回民打败，同伴非殉职即被俘入狱，哈瑞救好友杜伦斯上尉回英国阵地而被捕，旋即逃狱到哈土木营救同伴，英军终来到哈土木，哈瑞策动监狱暴动，控制一边城墙，英军收复哈土木，哈瑞成为大英雄。

　　SixtyGloriousYearsisanexerciseinthecreationoficonography,bothforVictoriaanditsstar,AnnaNeagle(whosubsequentlybecameknownas'RegalNeagle').JustasElizabethIcommissionedartiststocreateflatteringiconicimagesforpublicconsumption,sothisfilmperformsasimilarfunction,forNeagleismorebeautifulthanthereallifeVictoria.Controversialevents(suchasthe'Irishproblem')areomittedandunpleasantaspectsofVictoria'scharacter(herpetulance,arrogance,favouritismand'righttoprivilege')areglossedoverasendearinglittle'whims'.Albertactsasamoderatinginfluencewhenshegoestoofarbbb　　ThefilmfollowedayearafterthehighlysuccessfulVictoriatheGreat(d.HerbertWilcox,1937).AgainthescreenplayisbyMilesMallesonandRobertVansittart,andmanyofthesupportingcast(thecreamofactingtalentofperiod)repeattheirroles,thistimeforthecolourcameras.ThiswasthefirstfulllengthTechnicolorfilmofcinematographerFreddieYoung,whocapturesthespectacleofroyalweddings,grandballsandopulentinteriors,withscenesactuallyfilmedatroyalpalaces.Vividbattlescenes,setinAlexanderKorda'sempireterritory(SevastopolandtheSudan),rivalthoseinTheFourFeathers(d.ZoltanKorda1939).　　Thetitlemusicsetsthetone:aregalchoirsingsoverashotofthecrown.Elgar's1901'PompandCircumstance'marchisheardduringthediamondjubileecelebrationsand,asVictoria'scoffinliesinstate,thefilmconcludeswithAnthonyCollins'statelymusicaccompaniedbythetextofRudyardKipling's'Lestweforget'.CombinedwiththeemotionalappealofscenesofVictoriaconnectingwithher'ordinaryfolk',thisisstirringstuff.　　Thefilmconnectswithcontemporaryeventsof1938.ThereleaseoftwocelebratoryroyalfilmswasintendedtoboostpublicaffectionforthemonarchyinthewakeofEdwardVIII'sabdication.Anglo-Germanrelationswereanothertouchysubject.Withanotherwaronthehorizon,influentialvoiceswantedappeasement,andthefilmcouldbeseentofitthatagenda.VictoriaherselfwasofmainlyGermandescent,nicknamed'thegrandmotherofEurope',whileAlbertisa'goodGerman',charminglyplayedbyAntonWalbrookasacultured,decentman.　　SixtyGloriousYearsnowseemsundulyformalandreverential.HadmoviesexistedduringVictoria'sreign(theyonlyemergedattheend)thismighthavebeenthekindoffilmproduced.UnlikeMrsBrown(d.JohnMadden,1997),itisallsovery'Victorian'.　　RogerPhilipMellor

　　SixtyGloriousYearsisanexerciseinthecreationoficonography,bothforVictoriaanditsstar,AnnaNeagle(whosubsequentlybecameknownas'RegalNeagle').JustasElizabethIcommissionedartiststocreateflatteringiconicimagesforpublicconsumption,sothisfilmperformsasimilarfunction,forNeagleismorebeautifulthanthereallifeVictoria.Controversialevents(suchasthe'Irishproblem')areomittedandunpleasantaspectsofVictoria'scharacter(herpetulance,arrogance,favouritismand'righttoprivilege')areglossedoverasendearinglittle'whims'.Albertactsasamoderatinginfluencewhenshegoestoofarbbb　　ThefilmfollowedayearafterthehighlysuccessfulVictoriatheGreat(d.HerbertWilcox,1937).AgainthescreenplayisbyMilesMallesonandRobertVansittart,andmanyofthesupportingcast(thecreamofactingtalentofperiod)repeattheirroles,thistimeforthecolourcameras.ThiswasthefirstfulllengthTechnicolorfilmofcinematographerFreddieYoung,whocapturesthespectacleofroyalweddings,grandballsandopulentinteriors,withscenesactuallyfilmedatroyalpalaces.Vividbattlescenes,setinAlexanderKorda'sempireterritory(SevastopolandtheSudan),rivalthoseinTheFourFeathers(d.ZoltanKorda1939).　　Thetitlemusicsetsthetone:aregalchoirsingsoverashotofthecrown.Elgar's1901'PompandCircumstance'marchisheardduringthediamondjubileecelebrationsand,asVictoria'scoffinliesinstate,thefilmconcludeswithAnthonyCollins'statelymusicaccompaniedbythetextofRudyardKipling's'Lestweforget'.CombinedwiththeemotionalappealofscenesofVictoriaconnectingwithher'ordinaryfolk',thisisstirringstuff.　　Thefilmconnectswithcontemporaryeventsof1938.ThereleaseoftwocelebratoryroyalfilmswasintendedtoboostpublicaffectionforthemonarchyinthewakeofEdwardVIII'sabdication.Anglo-Germanrelationswereanothertouchysubject.Withanotherwaronthehorizon,influentialvoiceswantedappeasement,andthefilmcouldbeseentofitthatagenda.VictoriaherselfwasofmainlyGermandescent,nicknamed'thegrandmotherofEurope',whileAlbertisa'goodGerman',charminglyplayedbyAntonWalbrookasacultured,decentman.　　SixtyGloriousYearsnowseemsundulyformalandreverential.HadmoviesexistedduringVictoria'sreign(theyonlyemergedattheend)thismighthavebeenthekindoffilmproduced.UnlikeMrsBrown(d.JohnMadden,1997),itisallsovery'Victorian'.　　RogerPhilipMellor