本片改编自同名童话故事，不过在这个故事里灰姑娘选择了对继母一家进行可怕的复仇bbb

《太空堡垒卡拉狄加：计划》的剧情讲述的是电视剧中没有交代过的一些事情，故事集中在几个未暴露身份的Cylon身上，将以Cylon人自己的视角，来阐述Cylon对人类实施核灭族的动机和观点ddd

　　16岁的米娅从饮食失调症中恢复过来回到家，重返高中生的混乱世界，却发现朋友们已经在没有她的情况下走进了青少年生活。伴随着不断变化的遗愿清单，三个最好的朋友和一段主要的新恋情，米娅一头扎进了约会、派对和初吻的世界，很快发现并非生活中的一切都能按照计划进行ddd

　　在上帝創造人類之前，上帝和天使同住在天堂。當天使看到上帝多麼喜愛他的最新創作：人類。有些天使開始心生忌妒，於是在路西法率領之下反抗上帝，淪落到人間，稱為「墮落天使」。他們煽動人類犯罪，因為罪孽越深，就能使他們得到更大的力量，最終計畫是消滅人類。於是上帝派遣善良的天使到人間幫助人類。拉菲爾原是墮落天使的一員，卻不小心與人類女孩墜入情網，人神相戀是絕對禁忌，下場將是墜入無盡深淵的地獄，他該如何抉擇呢bbb

　　结束了墨西哥的假期，正值青春年少的梅尔（佩顿·里斯特PeytonList饰）和茱尔丝（卡梅隆·古德曼CameronGoodman饰）乘夜晚的航班回到洛杉矶。适值深夜，大雨瓢泼，贪图便宜的两个女孩和刚刚认识的青年塞斯（詹姆斯·辛德JamesSnyder饰）、马特（戴夫·鲍尔DavePower饰）搭上一辆深色的机场巴士。除梅尔等人之外，还有一个中年人与他们同行ddd　　四个年轻人相谈甚欢，不知不觉间却被司机（TonyCurran饰）拉入一条陌生的道路。由于一个意外，巴士半路抛锚。正当众人手忙脚乱之际，司机露出狰狞面目。他收掉他们的手机，并准备实施抢劫。面对这个凶恶的歹徒，她们是该束手就擒，还是伺机逃命呢？

　　克里斯与西塞莉是一对年轻的爱人，一个是国际记者，一个是剧场演员，他们挣扎于要兼顾爱情还是要冲刺事业中，爱得很深，又非常骄傲，两个常年分居，独自生活……（by波迪与鹅aaa　　InNewYork,therookienewsmanChristopher"Chris"Tylerdreamsonbecomingafamousjournalist.WhenhisgirlfriendCicelyspendsacoupleofdayswithhim,theydecidetogetmarriedandCicelyleavescollege.Chris'sbestfriendTommyAbbottishisbestmanandbecomesafamily'sfriend.ChrishashisgreatchancewhenhiseditorFrankCarteretsendshimtoRomeassignedasaforeigncorrespondent.CicelystaysinNewYorkwithTommyanddoesnottelltoChristhatsheispregnant.WhenshedeliversthebabyKit,Chriscelebratesandlosesabigscoopandhisbossfireshim.Chrisfallsindisgraceandthecouplehaseconomicdifficulties;howeverTommylendsmoneytoCicelyandoffersanopportunityonthestageasanactress.CicelyishiredandbecomessuccessfulandChrisisdepressedwiththesituation.CicelyseeksoutFrankCarteretandexplainsthesituation,andheoffersajobopportunitytoChrisinRussia.HeacceptsthejobbutCicelystaysinNewYorkwiththeirson....

　　《植物的欲望》改编自迈克尔·普兰（MichaelPollan）的同名著作eee　　本片讲述了四种日常生活中常见的植物以及它们如何让人类喜欢它们的故事。1983年，迈克尔·普兰与他的妻子离开纽约城，到一个被遗弃的奶牛场定居。普兰幼时一直对园艺十分着迷，再加上他对自己把握自然的能力深信不疑，他开始开垦自己的花园。那时的他还不知道这一行动最终促使他开始重新思考人与植物的关系，也成就了他的《植物的欲望》这本书成为书架上的畅销货。本片将带领观众走遍全世界，从位于秘鲁和美国爱达荷州的马铃薯菜园到哈萨克的苹果林，从阿姆斯特丹的郁金香市场到美国的医用大麻的培养室，探寻马铃薯、苹果、郁金香以及大麻的自然史，得出结论：人类对它们的渴望使它们的命运与我们息息相关。本片由迈克尔·施瓦茨（MichaelSchwarz）执导。

　　这部音乐剧DVD取材于耶稣的生平事迹，韦伯创新地将严肃的宗教故事和前卫的摇滚音乐联系起来，是一部艺术表现非常大胆、思想性也极为深刻的作品。如果说《约瑟夫与神奇彩衣》是对圣经故事的图解，那么《万世巨星》从表面上看简直就是对传统的颠覆与反动：上帝的儿子耶稣不再时刻带着圣哲的光环，他有软弱，有动摇，更多的人性代替了神性；犹大卖主也不是出自贪婪，而是出自上帝安排的命运，自杀后的犹大穿着白袍带领一个天使唱诗班向耶稣提出几个哲学问题，耶稣竟然也不知道答案。细心的读者不难看出这样的情节安排和电影《耶稣基督的最后诱惑》的相似之处，与后者一样，该剧刚一推出，便遭到了正统宗教人士的强烈抗议，这反而增加了它的知名度，其插曲《我不知如何爱他》(Idon\'tknowhowtoloveHim)、《万世巨星》(Superstar)长时间徘徊在各大唱片排行榜上ddd　　笔者感觉此剧的本意和《耶稣基督的最后诱惑》一样，并不在于离经叛道，而是通过曲折的形式表现殉道者对神的服从，因为在该剧的最后，耶稣依照神的安排为人类的罪舍身又复活，并在原谅了他的敌人后升天而去。如果你对基督教有较深了解的话，相信该剧还是能够给你一些不同角度的思考。当然，撇开背景不谈，即便单单作为一出摇滚音乐剧来欣赏，这盘DVD也是不容错过的。该剧的另一个版本是1973年由环球影片公司出品的同名电影。　　式圣经片给人更亲切的感觉。安德鲁．莱特韦伯创作的插曲优美动听，全片摄影和剪接都具一流水准。

　　BaseduponthemusicbylegendarySwedishartistTomasLedin,"Endelavmitthjärta"isamusicaldramaaboutIsabella,adrivenbusinesswomanandarealhotshotwithintheStockholmfinanceworld.Whenshereturnstohersmallhometowntocelebrateherfather's60thbirthdayshefeelslikeawinnercomparedtoheroldclassmates,beingtheonlyonewhoactuallymadesomethingofherself.Isabella'sconfidenceisshakenwhensherealizesthatSimon,herbigteenagecrush,ismarryingherchildhoodfriendMollyandthatsheisn'teveninvitedtothewedding.Isabellaisusedtogettingwhatshewants,andseeingSimonsohappywithsomebodyelsebothersher.ApartofherheartwillalwaysbeatforSimoddd

　　Outofthefifties'B'Science-Fictionmonstermovies,thiseasilyranksasthebest.It'smostnotableasthefilmthatALIENisanunaccreditedremakeof,thusgivingitacertainhistoricalsignificancebbb　　Theintriguingplotisabouttherescueoftheonlymaroonedsurvivor(Col.Carruthers)ofanill-fatedexpeditiontoMars.Theauthorities,pig-headedasusual,falselyassumethathemurderedhisfellowcrewmembers,sothathe'dhavemoreprovisionstosurvive;henceheisbeingbroughtbacktoEarthtofacecourt-martialformurder.(Thereisalsoasomewhatinterestingplotreversalhere:MostmoviesofthisnatureusuallybeginwiththeshipleavingEarth,enroutetoitsotherworlddestination,while,inthiscase,the"story"isbelievedfinished,andbeginsasthecharacterstake-offfromtheotherplanet,returningtoEarth).AstherescueshipisleavingMars,alurking,ominousshadowisseeninthelowercompartment.(Afrightening,atmosphericmoment,accomplishedthroughsheereconomyandsimplicity).　　Carruthersinsistsofhisinnocencetohisfellowcaptors,claimingthathisoriginalcrewmateswereslaughteredbyahostile,unseenpresenceonthedesoluteredplanet,butthree-guessesastotheirreactiontohisunusualplea.Naturally,hecan'tproveit,and50'sspaceauthoritieswerenotveryalienconscienceatthetime.(Asaside-thought,"unseenmenace"mayremindyouofthathighly"original"BLAIRWITCH).　　Aseveryonesacksout,ahaplesssupportingcharactorwhosenameisatthebottomofthecastinglist(guesswhatwillhappentohim?)hearssomethinginthelowercompartment.Despiteyourfutile"don'tgodownthere,youjerk!"pleas,hedoesjustthat,andisappropriatelykilled(morelikethoroughlyobliterated)bytheshadowyfigurewithinsatiablebloodlustonitsmind.Inthevictim'scase,derelictionofdutyandsheercowardlinesswouldhavebeenthewisedecision.Thesceneisactuallywell-directed(forachange)anddevelopsmuchsuspense,astheentirefilmsurprisinglydoes.　　Thecrewfinallycatchesonthattheyhaveanunwantedshipcrasheronboard,andtryeverypossiblemeansattheirdisposaltoeliminateit,buttheunknowncreatureseemstocoppingananti-deathattitude.Provingtobeanevenmoreclever,worthyadversary,'IT!'alsohidesoutintheventilationshaftsoftheship(nowthatshouldringabell).Cahn'sforcefuldirectiongeneratesconsiderabletensionasthemalevolentstowawayworksitswayupfromoneleveloftheconfinedshiptothenext,eventuallyleavingtheremainingcharacterstrappedatthetop.Themovie'ssuspenseisbluntandrighttothepoint:"IT!'hastokillthemorstarve,hencetheyhavetokill"IT!"ordie.Nothinglikethose"notwowaysaboutit"choices.Rentit,orcheckforitoncableifyouwishtoknowtheoutcome.　　Foralow-budgetquickie,IT!isquiteimpressiveandmemorable.Thedreadedsenseofclaustrophobictension,renderingthecharacters'helplessentrapment,ishighlyeffective.Thisisaproductioninwhichthelimitedbudgetandsmallsetsactuallyworkinfavoroftheplot'sscaryambience.Theblack&whitephotography(Yes,it'soneofthose!)helpstoenhanceitsdark,creepymood,andthesenseofapprehensionisquitehigh.(Moderndaycolorfreaksneverseemtotakethatintoconsideration).Theplotisalsosomewhatcynicallyironic:Ifthecreaturehadn'tstowedawayontheship,Carrutherswouldhavemostlikelybeenfoundguiltyofthechargesagainsthim.　　Theintelligentscript(seewhatImeanabout"rareity")waspennedbynotedScience-FictionauthorJeromeBixby(rememberTwilightZone's"It'saGoodLife")?Thepicture'stauteditingeliminatesanyextraneousdross.(ALIENtendedtodraginitsfirsthourwithitssophomoricdialogue,andwhydidithavetoincludethatstupidandultimatelycounter-productivesub-plotofAshbeingarobot,andfurtherdraggingthestorydowntoanotherbigbadconspiracycliche?UNNECESSARY!!!)　　DirectorCahnastutelykeepstherubber-suitedmonsteroff-screenandintheshadowsthrough-outmostoftheproceedings,keepingyourparanoidimaginationonconstantalert.Unfortunately,perhapsatthestudio'scommercialinsistance,itisalittleover-revealedattheclimax,butIhaven'tclaimedthistobetheperfectmasterpiece.Theperformances,thoughnothingaward-winning,areneverthelesscoolenoughsothatonebecomessincerelyconcernedastotheirfates.Notmanymoviesinrecenttimesevercomeclosetoachievingthat.Theycanbeover-producedfromheretoeternity,andusuallyonlysucceedinbeinggloriouslyannoying.　　Thisfilm'sstoryisnotreallytotallyoriginal(whatis?),foritisbasedonA.E.VanVogt's"VOYAGEOFTHESPACEBEAGLE."AllALIENfanaticsshouldtrackdownanoldusedcopytoseewheretheinitialinfluencecamefrom.　　Aslongasyou'renotcravinganotherCGIwind-ding,youmayfinditworthwhile.Justdon'texpectthewomentobeRipleyprecursors.Thiswasstillthesock-knittingfifties,sadtosay.