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没有和解
剧情:
  ThesubtitleofJean-MarieStraubandDanièleHuillet’sfirstfeature,from1965,“OnlyViolenceHelpsWhereViolenceReigns,”suggeststhefiercepoliticalprogramevokedbytheirrigorousaesthetic.Thepretextofthefilm,setinCologne,isHeinrichBöll’snovel“BilliardsatHalfPastNine,”whichtheystripdowntoahandfulofstarkeventsandfilmwithaconfrontationalangularityakintoBartók’smusicthatadornsthesoundtrack.Thesubtlestofcuesaccompanythestory’scomplexflashbacks.Themiddle-agedRobertFähmeltellsayounghotelbellhopofpersecutionsundertheThirdReich;hiselderlyfather,Heinrich,anarchitectfamedforalocalabbey,recallsthemilitarismoftheFirstWorldWar,whenhiswife,Johanna,incurredtroubleforinsultingtheKaiser.Athird-generationFähmelisconsideringarchitecture,justastheexiledbrotherofRobert’slatewife,returns,onlytobemetbytheirformertorturer,nowaWestGermanofficialtakingpartinacelebratoryparadeofwarveterans.StraubandHuilletmakethelayersofhistoryliveinthepresenttense,whichtheyjudgeseverely.Thetamped-downactingandthespare,tensevisualrhetoricsuggestastateofmoralcrisisaswellastheresponse—asmuchinstyleasinsubstance—thatitdemandsbbb
卡斯帕尔·豪泽尔之谜
导演:
剧情:
加斯荷伯(布鲁诺·斯列斯坦BrunoS.饰)从小生活在不见天日的地下室里,仅靠稀少的水源和面包维持生命,直到数十年后,早已成年的他才被带离地下室,第一次亲眼看到了外面的大千世界。可是,噩梦并没有结束,他只不过是从一个地狱跌落到了另一个。在人们的眼中,加斯荷伯并非一个有血有肉的人类,只是一个可供研究和玩乐的部件罢了。刚开始,人们对加斯荷伯充满了好奇,并且,这些好奇里包含了某些恶意。渐渐地,对这个无趣而可怜的物体,大家都失去了兴趣,加斯荷伯被送进了马戏团。几经波折之后,被一名学者收留的加斯荷伯终于过上了平静安全的生活,学者教会了他读写,为他打开了了解世界的另一扇大门。没想到,加斯荷伯对于文明和文化有着异常敏锐和深刻的见解,面对他尖锐直白的语言,被戳到痛处的人类愤怒了ccc