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18岁老处女
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  作为“失贞类喜剧“的狂热者,18岁的她不顾一切地努力想要在毕业前夕成为女人。身边伴随着众多性欲旺盛的青少年,她跟别人上床似乎是件易如反掌的事。不幸的是,说的比“她做的”容易得多了eee
倒计时
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Thestoryappearssimpleonthesurface,butisrevealed,especiallyaftermultipleviewings,asmoremulti-layeredandtexturedthanCassavetesathisbest.Ostensiblyitconcernsa14-yearoldCatholicgirl,Wynne(Agutter)growingupinthispost-modernwasteland,whodevelopsacrushonhermucholderadoptivebrother(Marshall)-acrushwhichperverselydeepensandgrowsintoinfatuationonceshestartstobelieveheisthelocalsexkiller.Thisisinitselfanideathatmakesyousitupandjolt,butasthenarrativedevelops,itcontinuesnotnecessarilyalongalinearpathbutinseveralconfusingandfascinatingdirections:thefamily'shistory,(detailedeffectivelyinchillingflashbackduringanimprovisedseance)isachequeredone,andhassufferedatleastonemajorrelocationandupheavalinthelasttenyears.Atthecrux,however,it'sthedepictionofsocialalchangesthatmakeIStartCountingsofascinatingandelevateitslanguagefarbeyondtheconfinesofthestandardhorrorfilm.Themajorsubtext-thatteenagegirlswerematuringmorequicklythanbefore,anddevelopingfullsexualandromanticappetites(evenifinthoughtratherthandeed)butwerenotpossessedofenoughdiscretiontomaketherightchoices-wasastepforwardforagenreinwhichitsyoungfemaleshadpreviouslybeenportrayedasbimbovictims(CoverGirlKillerandTheNightCallerspringtomind),butnotonethatallviewerswouldnecessarilyagreewith.Butmoststrikingofall,andpossiblythemostenduringimagewhichtheviewerwilltakeawaywiththem,isofthemasterfulsymbolismwithwhichdirectorGreeneinvestseveryshot.EveryinchoftheKinchfamily'sworld-theirhouse,theirwalls,theirTV,Aguttersunderwear,bedroomfurnitureandtoys,Sutcliffe'sclothes,Marshallsvan,thelocalCatholicchurch,theirtowncentre,theirrecordshop)-ispaintedabright,scintillatingwhite-awhitewhich,byinference,isslowlybecomingsmudgedandcorruptedwiththedirtoftheoutsideworld.Whitealsosymbolises,ofcourse,purityandinnocence(twoqualitiesCatholicschoolgirlsaresupposedtoholddear),anditisintothisworldofinnocencethattheever-presentredbus(asymbolofviolationandpenetration),conductedbythelecherousyetsimilarlyjuvenileSimonWard,makesregularjourneys.TheallegoryisfurtherexpandedinonescenewhereAgutterbelievessheseestheChristfigureinchurchweepingblood:bythetimeweacknowledgeit,itsgone,buttheseedhasalreadybeenplanted.Rarelyinagenreproductionhastheuseofcolourandbackgroundbeensoimportantoreffectiveincreatingauniformityofmood.IStartCountingisasnear-perfectanendtoadecadeasonecouldhopefor,andexactlythekindoffilmpeopleshouldbemakingnow-whichis,ofcourse,exactlywhytheyneverwill.Agenreessential.byD.R. ddd
逃亡
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  阿富汗裔的Amin,已在丹麦落地生根,即将与同性伴侣成婚。面对伸手可及的幸福,内心却有难解的结,童年时的苦难记忆,长大后仍挥之不去。小时候迷恋尚格云顿,但生逢乱世,家乡平静生活被战火摧毁,他随家人逃到莫斯科,再千辛万苦偷渡到哥本哈根。以动画形式纪录真人真事,导演让好友Amin倾吐隐衷,回忆颠沛流离的日子,以及遇过的贪腐警察、冷血蛇头。最后逃避不了的,是一直压在心头的秘密。圣丹斯电影节世界纪录片评审团大奖bbb
嘻哈帝国第一季
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  卢修斯·里昂(泰伦斯·霍华德饰)是一名超级音乐明星兼帝国娱乐公司的创始人,娱乐大鳄身患绝症,于是他决定在自己的三个儿子中挑选继承人。大儿子虎视眈眈,小儿子整天沉迷酒色,二儿子因同性恋从小就被老爸嫌弃。就在此时,大鳄老婆提前出狱,发誓夺回属于自己的一半财产,使得钱权争夺大战一触即发。
台湾72小时粤语
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/ 未知/
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  香港人,忙;香港人,爱旅行。这个节目,是专為「繁忙的」香港人设计的「旅游」节目--星期五、六、日,三日的时间,去一趟旅行,体验一个地方。让香港人旅游,可以有更多更不一样的尝试、选择。「三日」只是一种节奏,不同的节奏会带来不同的故事和体验。
恐龙第一季
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  Dinosaur follows Nina (Ashley Storrie), an autistic woman in her 30s, who adores her life living with her sister and best friend Evie. However, when Evie rushes into an engagement after only six weeks and makes Nina her maid of honour, Nina is floored. Forced to reconcile with her sister’s impulsive decision, Nina grapples with what this new challenge means.  Nina’s relationship with her sister isn’t the only change that she’s navigating, as she explores new possibilities in her palaeontology career and a potential new relationship in her own life with the introduction of kind-hearted Lee, who helps Nina to see these new challenges in a more positive light. As their relationship blossoms, we see that Nina helps Lee just as much as he helps her.