Thestoryappearssimpleonthesurface,butisrevealed,especiallyaftermultipleviewings,asmoremulti-layeredandtexturedthanCassavetesathisbest.Ostensiblyitconcernsa14-yearoldCatholicgirl,Wynne(Agutter)growingupinthispost-modernwasteland,whodevelopsacrushonhermucholderadoptivebrother(Marshall)-acrushwhichperverselydeepensandgrowsintoinfatuationonceshestartstobelieveheisthelocalsexkiller.Thisisinitselfanideathatmakesyousitupandjolt,butasthenarrativedevelops,itcontinuesnotnecessarilyalongalinearpathbutinseveralconfusingandfascinatingdirections:thefamily'shistory,(detailedeffectivelyinchillingflashbackduringanimprovisedseance)isachequeredone,andhassufferedatleastonemajorrelocationandupheavalinthelasttenyears.Atthecrux,however,it'sthedepictionofsocialalchangesthatmakeIStartCountingsofascinatingandelevateitslanguagefarbeyondtheconfinesofthestandardhorrorfilm.Themajorsubtext-thatteenagegirlswerematuringmorequicklythanbefore,anddevelopingfullsexualandromanticappetites(evenifinthoughtratherthandeed)butwerenotpossessedofenoughdiscretiontomaketherightchoices-wasastepforwardforagenreinwhichitsyoungfemaleshadpreviouslybeenportrayedasbimbovictims(CoverGirlKillerandTheNightCallerspringtomind),butnotonethatallviewerswouldnecessarilyagreewith.Butmoststrikingofall,andpossiblythemostenduringimagewhichtheviewerwilltakeawaywiththem,isofthemasterfulsymbolismwithwhichdirectorGreeneinvestseveryshot.EveryinchoftheKinchfamily'sworld-theirhouse,theirwalls,theirTV,Aguttersunderwear,bedroomfurnitureandtoys,Sutcliffe'sclothes,Marshallsvan,thelocalCatholicchurch,theirtowncentre,theirrecordshop)-ispaintedabright,scintillatingwhite-awhitewhich,byinference,isslowlybecomingsmudgedandcorruptedwiththedirtoftheoutsideworld.Whitealsosymbolises,ofcourse,purityandinnocence(twoqualitiesCatholicschoolgirlsaresupposedtoholddear),anditisintothisworldofinnocencethattheever-presentredbus(asymbolofviolationandpenetration),conductedbythelecherousyetsimilarlyjuvenileSimonWard,makesregularjourneys.TheallegoryisfurtherexpandedinonescenewhereAgutterbelievessheseestheChristfigureinchurchweepingblood:bythetimeweacknowledgeit,itsgone,buttheseedhasalreadybeenplanted.Rarelyinagenreproductionhastheuseofcolourandbackgroundbeensoimportantoreffectiveincreatingauniformityofmood.IStartCountingisasnear-perfectanendtoadecadeasonecouldhopefor,andexactlythekindoffilmpeopleshouldbemakingnow-whichis,ofcourse,exactlywhytheyneverwill.Agenreessential.byD.R. ddd

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NCTDreamarecomingsoonwiththeirveryown,'BeyondtheDreamShow'via'VLive+'bbb　　NCTDreamwillbegreetingfanswiththeirveryown'BeyondLive'onlineconcertasthethirdSMEntertainmentartistsup,thisMay10at3PMKST.Previously,SMEntertainmentlaunchedtheirstate-of-the-art'BeyondLive'onlineconcertserieswithartistslikeSuperMandWayV.　　FanscanlookforwardtoNCTDreamperformingsongsfromtheirnewestminialbum'Reload'forthefirsttimeeverliveduringthis'BeyondtheDreamShow',inadditiontouniqueonlineconcertexperiencesusinginteractivetechnology.

  秦老爷的独子秦川为了摆脱家人对自己的束缚，听从了女友吴小玉的主意，谎称父亲在西南深山中曾和一个原始部落的女子有一私生骨肉，谁要是能够找到她，谁就能获得秦家财产..ccc

电影《72小时》是一部以地震灾区实景为拍摄场景，以铭记、回顾和弘扬救灾精神为目的。该片描述了汶川大地震中医护人员忘我救灾的感人事迹，讲述了在灾难来临时，一对医生夫妇的感情抉择ddd　　该片由青岛美女作家李雨珂担任编剧和制片，曾执导过《海洋朋友》钱晓鸿担任导演，马跃、刘琳、张莹、詹慧聪等主演。在片中饰演医生的马跃说，《72小时》与同题材的救灾电影相比，它不直接描写灾难，而是以灾难为背景，描写大环境下人性的光辉

《明星大侦探之案件还原动漫版》是高能推理会员社区神秘空间用户专享的内容，通过动漫的展现形式，还原《明星大侦探》第四季至第六季案件故事全程aaa

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　　這是一個結合煮食、睇樓元素的節目。有明火，無明火，除了是有無鑊氣，在香港更是有冇廚房的天淵之別。五百呎以下的新盤，開放式廚房加無明火煮食爐是必然定律。當納米廚房只剩下一個無明火爐頭，如何用巧手、心機、創意就地取材，煮出留住你胃口的納米家菜式bbb

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